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A dusty, dreamy Hawaii rife with sexual frustration, loneliness and adolescent heartbreak may be the setting to the nine stories of Hemmings's bold debut collection. Misery adores company in "Final Girl," in which just one mother discovers a pornographic magazine in her own 13-year-old son's room and turns on him despite herself, wishing he'd more of "that character-developing sadness. Instead, he's a young child who sings in the car." In the title story, intrepid preteen Kora is anxious to fit into her clique of Lolitaesque teenage friends—island girls "doing bad things in pretty places"—and is frightened of losing her best friend, Wendy, when Wendy's delinquent brother, Perry, resurfaces. In "Begin by having an Outline," a girl is haunted by her imprisoned father, a notorious drug dealer; in "Island Cowboys," embittered, indebted Pete covets his brother's easy prosperity and finds forbidden solace in the niece. A 16-year-old boy pines for his social-climbing nanny in "Secret Clutch," and then discover that she has had up with his wealthy father; a teenage girl and her father's mistress develop a disturbing bond in "Location Scouts." At times Hemmings steers her troubled protagonists in predictable directions, but overall these are fresh, acerbic tales, offering a distinctive perspective on everyday activity in a very vacation paradise. Agent, Witherspoon Associates. (June 20)
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Just since the individual land masses which make up the Hawaiian Islands are worlds unto themselves, so, too, are the characters Hemmings depicts within this penetrating exploration in the nature of families and the individuals who are part of them. Disappointment and isolation, frustration and regret inform each story's conflict, if it is often a father unprepared to raise his 10-year-old daughter while her mother lies inside a coma, like "The Minor Wars," or even a pack of teenage girls flirting with independence in "House of Thieves." Hemmings takes her characters' cues from the composition from the islands she knows so well, their volcanic cores smoldering just beneath the surface, either expected to lie dormant or vulnerable to violent outbursts. Set up against the tropical backdrop of sun, sand, and surf, Hemmings' stories are the greater surreal for their perceptive juxtaposition of tumultuous emotions within this kind of seemingly benign paradise. With a dynamic and imaginative voice, Hemmings infuses her stories with keen insight, and lavishes her characters with profound empathy. Carol Haggas
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